He plays a diabolical game with the two friends, one that crosses the boundaries into the metaphysical realm. Yet gradually the atmosphere changes and tension steadily rises in the car, thanks to Toofan, who keeps appearing again and again out of the blue. But what happens if a policeman suddenly gets into your vehicle, finds black market DVDs and forces you to admit, tipsily, that Argo is a film hostile to Iran? This road movie through Tehran by night begins as a hyperactive, drugged-up farce that pokes fun at the authorities, interprets the cultural history of Western toilets, and postulates other daring intercultural theories. They move through the public sphere, yet their occupants remain among themselves. Cars form a popular setting in Iranian cinema. This won't be the last time they'll cross his path over the course of the night. A mysterious stranger by the name of Toofan offers to cover the costs. On their way back from a wild party, Arineh and Nobahar cause a car accident.
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